Teach your children well

"You're this week's number one girl
But one girl will never do"

That’s part of the chorus to ‘This Week's Number One’, a song started but never quite finished in the 1980s by teenaged songwriter Mark Bridge. Yes, me. I’ll be honest, the title was a cynical attempt to increase potential sales. I imagined hordes of my pop-loving contemporaries walking into their local record shops and being given a copy of my single after saying “I'd like this week's number one, please”.

There are three points to be made here. Firstly, although it may have seemed unlikely at the time, I have subsequently become a professional writer and – thanks to this very column – can now describe myself as a published songwriter, too. (So ‘yah boo sucks’ to the kid who laughed at me back then, just in case he’s moved to Lewes.) And secondly, my younger self clearly didn't have a clue about real life, did he?

At this stage I’d like to cite Elton John's Part-Time Love and Stevie Wonder's Part-Time Lover to emphasise my third point. I have clearly been influenced by the songs of my youth. Educated by them, you might say. And I'm sure I'm not the only person with such influences. As I’ve grown older – and smarter, I hope – I’ve treated my entertainment as entertainment, not as a behavioural guide. Just as well, really, when you consider that I grew up with Benny Hill on prime-time television. Fortunately I preferred the work of Frank Sinatra, whose apparently effortless style involved him hitting each note a millisecond before it was too late, and Buddy Greco, a man who chuckled to himself like a naughty schoolboy during the introduction of almost every song. While my school friends adopted role models like surgeon Christiaan Barnard, a remarkable man who transplanted an extra ‘a’ into his first name to keep it working longer, I was endeavouring to model myself after musicians who didn’t take themselves seriously.

This irreverence has stayed with me. Fast-forward to the first time I heard Eminem’s The Marshall Mathers LP. I laughed out loud. As far as I'm concerned, the song Who Knew had the same shock-value humour as Julian Clary's ‘Norman Lamont’ line or Stan Boardman and the Fokke joke. (If I’ve lost you here, you’ll find the answers on YouTube. Please don’t look if you’re at work or before the children have gone to bed.)

However, amongst all the comedy and the deliberately offensive material there’s also important stuff to be learned from song lyrics. Take Anita Bell’s 1979 locally-inspired chart-topping song of female empowerment, for example. Backed by an electronic drum and the sound of chimes she repeats her upbeat message: You Can, Ringmer Belle.

First published in Viva Lewes magazine issue 120 September 2016

Finding festivals on the doorstep

Writing on the subject of festivals from a Ringmer perspective is a bit of a challenge. Well, I really don't want to embarrass any of you Lewesians with the wealth of riches we have next door. The Lewes Live music festival? I reckon that’s almost entirely our side of the parish boundary. Glyndebourne Festival? Definitely closer to Ringmer than it is to Lewes. Love Supreme? Yup, same again. And that's before I start talking about Ringmer's scarecrow festival, the football festival, the dance festival and the earwig festival. (Okay, I made that last one up but I’m hoping for a sizeable percentage of t-shirt sales if it ever happens.)

Curiously, we also manage to promote our events without reverting to what's become a ubiquitous means of communication across Lewes. Whilst we Ringmerites stay in touch by phone, Royal Mail, newsletter, text message, Whatsapp, Snapchat and semaphore, it seems the only way to get your message across in Lewes is by printing it on a piece of A4 paper, laminating it and fixing it to a lamppost with cable ties or plastic ribbon. These notices are often seen hanging in place long after the relevant event has passed, with nothing but acid rain and casual vandalism to help them degrade. In the aftermath of the forthcoming robot apocalypse, when automated microscopic vacuum cleaners have tidied away the last remnants of humanity and the only remaining lifeform on the planet is a cockroach crossed with a Jack Russell terrier, I reckon the bus stop outside Waitrose will still be festooned with rainbow-coloured printouts advertising a pop-up Shamanic yoga weekend.

And then there’s the fashion. As far as I’m concerned, wellington boots are practical – albeit occasionally uncomfortable – footwear for especially wet or muddy situations. You put them on when the weather demands it… and you remove them when they’re not needed. Wellingtons are no more suitable for all-day wear than pyjamas or mittens. How they’ve become some kind of festival uniform escapes me. Yet switch on any TV coverage of summer festivals and you’ll see crowds of people wearing little more than beachwear but accessorising it with rainbow-patterned plastic boots and a crown of plastic flowers. Inexplicably, there’s even a trend for getting married in this sort of clothing. (Just search for ‘festival wedding’ on your favourite tax-paying internet search engine and you’ll see what I mean.) Personally, I think it’s actually an excuse for scaring elderly relatives away.

Still, enough of my ranting. Festivals are supposed to be about celebration. I may not understand your desire to carry a fluorescent pennant on a five-metre bendy flagpole but I shall rejoice in your decision regardless. Just as long as you’re not standing in front of me. I’m the guy in the dinner jacket, obviously.

First published in Viva Lewes magazine issue 116 May 2016

Disharmony in Ringmer

Huuuuur. Huuuuur. An unfamiliar rattling sound stirs me from my weekend lie-in. I'm just about to check Mrs B's airways before I realise the noise is coming from outside, not from my sleeping wife. One of our neighbours is mowing his lawn. Winter is officially over... as is any hope of an extra half-hour in bed. Time to put the kettle on.

Rural life has many benefits - but don't make the mistake of thinking it's all twittering skylarks, fragrant wild flowers and slow-moving Morris Minors around here. In fact, I reckon Lionel Richie would never have written the lyric 'Easy like Sunday Morning' if he'd been living in Ringmer. Certainly not if he'd relied on public transport. Instead of a gentle ballad we'd probably have something rather more frantic, inspired by Lionel nervously checking his watch and wondering whether he'd end up jogging down the new cycle path because he'd missed the hourly bus. Neither would Lionel have been particularly relaxed if he was within earshot of the village church, where one of the bells has cracked. Apparently this isn't covered by the manufacturer's warranty, despite being barely 130 years old. The offending bell currently sounds like an ancient tin bath being struck with an equally elderly saucepan, which is why it's staying quiet at the moment. The other seven bells are still being rung but the eighth is conspicuous by its absence. No, there's nothing especially easy about Sunday mornings in this part of the world.

But all this pales into insignificance when Mrs B wakes. She has a Garden Centre look in her eyes. Unfortunately it's not a 'nice mug of coffee and a bowl of soup' trip that she has in mind. In the time it took me to pop downstairs and make a cup of tea, she’s prepared a shopping list. It looks like a medieval incantation to rid one's husband of distemper, although she assures me it's merely a few Latin plant names and some organic fertiliser. My wife is the one with green fingers; my gardening performance is more akin to a Vulcan nerve pinch, inadvertently rendering plants into unconsciousness with the effortless technique of Mr Spock. It’s usually safest if I stick to digging and weeding. And with spring in the air, Mrs B’s seasonal interest in gardening will soon broaden to include other activities I’m just as poor at. There’ll be unfathomable colour charts for interior decoration. There may even be talk of choosing new cushions.

All this leaves me a long way outside my comfort zone, so there’s only one thing left to do. One last desperate attempt to escape all these challenges. Something that’ll outclass my neighbour’s garden-tidying efforts, too. Most importantly, it’s traditional. It’s a ritual that’s been passed from generation to generation since the dawn of history. It’s a Sunday morning routine that unites communities. It’s time I went to the tip.

First published in Viva Lewes magazine issue 103 April 2015.